Texas songster Henry Thomas remains a relative stranger who made some great recordings, then returned to obscurity. Evidence suggests he was an itinerant street musician, a musical hobo who rode the rails across Texas and possibly to the World's Fairs in St. Louis and Chicago just before and after the turn of the century. Most agree he was the oldest African-American folk artist to produce a significant body of recordings. His projected 1874 birth date would predate Charley Patton by a good 17 years. Like Patton and a handful of other musicians generally termed songsters (including John Hurt, Jim Jackson, Mance Lipscomb, Furry Lewis, and Leadbelly), Thomas' repertoire bridged the 19th and 20th centuries, providing a compelling glimpse into a wide range of African-American musical genres. The 23 songs he cut for Vocalion between 1927 and 1929 include a spiritual, ballads, reels, dance songs, and eight selections titled blues. Obviously dance music, his songs were geared to older dance styles shared by black and white audiences.